| Fairy Cube | |
Cover of the first volume as published by Viz Media in North America on May 1, 2008 |
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| 妖精標本フェアリーキューブ (Yōsei Hyōhon Feari Kyūbu) |
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| Genre | Fantasy, Horror, Romance |
| Manga | |
| Written by | Kaori Yuki |
| Published by | Hakusensha |
| English publisher | Viz Media Chuang Yi |
| Demographic | Shōjo |
| Magazine | Hana to Yume |
| Original run | 2005 – 2006 |
| Volumes | 3 |
Fairy Cube (妖精標本フェアリーキューブ Yōsei Hyōhon Feari Kyūbu) is a fantasy gothic shōjo manga written and illustrated by Kaori Yuki. Appearing as a serial in the Japanese manga magazine Hana to Yume from 2005 to 2006, the Fairy Cube chapters were collected into three tankōbon volumes by Hakusensha and published from October 2005 to July 2006. Yuki began Fairy Cube with the intent of writing a shorter manga series. Set in modern Japan, the series focuses on Ian Hasumi, who can see fairies, and his childhood friend Rin. After Ian's body is stolen from him, he begins a quest to regain it while stopping the fairies' plan to recapture the earth.
Viz Media licensed Fairy Cube for an English-language release in North America. It previewed the series in its manga anthology Shojo Beat and released the series from May 2008 to November 2008. The series received positive reviews. Critics liked the Celtic mythology, quick pacing, and detailed art of the series. Others criticized Yuki's use of multiple subplots and characters, and inconsistencies in the art.
Contents |
The series focuses on Ian Hasumi, a timid boy who sees fairies which are invisible to normal people and who is stalked by a vengeful spirit named Tokage. His mother left before the start of the series and as a result, Ian's father burns off the wing marks on Ian's back to prevent him from doing the same. Rin, Ian's abused childhood friend and secret "crush", returns to the city where he lives. Later, Ian accidentally stumbles onto the scene of a murder; after seeing a man named Kaito retrieve a cube from the victim's body, he follows Kaito back to his antique shop, where Kaito gives him Tokage's fairy cube—the contained spirit of a fairy. However, as a result of being manipulated by Tokage, Ian's father kills him. Tokage then possesses Ian's body and takes over his life, including romancing Rin. As a spirit, Ian goes back to Kaito's shop and after a trip through the Otherworld with a small but vicious fairy named Ainsel, is given the replacement body of a young boy. Ainsel agrees to aid him in his quest to regain his body.
Encountering Tokage again, Ian learns that Tokage grew up in the Otherworld loved but when his village tried to sacrifice him to their god, he slaughtered them and the god escaped. Ian also discovers that Gotoh company, a multi-millionaire land development company run by a cross-dressing girl named Shira, plans to take over the world for the fairies under the "Elysium Project".
Meanwhile, Gotoh takes Rin hostage in an attempt to lure Ian back to them. Under the pretense of a beauty contest, the company plans to harvest the energy of the fairy cubes and bystanders to open a door to the Otherworld. Ian rescues Rin and the escaped god is revealed to be inhabiting the body of Shira's father. Ian and Tokage are forced out of the bodies that they are possessing; Ainsel, revealed to be the key to the door, merges with Ian and Ian's host body accepts Tokage. Having been held captive by Gotoh for most of the series, his mother appears and before dying, reveals that Tokage is Ian's twin who died prematurely. Shira is killed after cutting the god's life line. Kaito and Ainsel die together to close the door while Ian and Rin let the people of earth glimpse the fairies.
Kaori Yuki started Fairy Cube with the goal of writing a short series.[1] When deciding on the ending, Yuki considered having Ian and Rin as the sacrifice to close the demon door, but decided against it, not wanting to "leave a nasty aftertaste".[2] She was also unable to include Ian and Tokage's newfound friendship in the manga since the plot focused on the relationship between Ian and Rin.[2] Yuki later reused Raven, a member of the clan who guards the demon door, and Tokage in the spin-off story "Psycho Knocker", in which they chase down and pacify spirits that have escaped from the demon door.[3]
The chapters of Fairy Cube appeared as a serial in the Japanese manga magazine Hana to Yume from 2005 to 2006.[4] Hakusensha collected the chapters into three tankōbon volumes. The first was released on October 19, 2005; the last was published on July 19, 2006.[5][6]
At the 2007 Comic-Con International, Viz Media announced that it had licensed Fairy Cube for an English-language release in North America.[7] Viz included a preview of Fairy Cube in the April 2008 issue of its manga anthology Shojo Beat,[8] and published the series from May 1, 2008 to November 4, 2008.[9][10] The series is also licensed in Singapore by Chuang Yi,[11] in Taiwan by Culturecom Comics,[12] in Germany by Carlsen Comics,[13] in Italy by Panini Comics,[14] and in France by Editions Tonkam.[15]
| No. | Title | Japanese release | North American release | |
|---|---|---|---|---|
| 01 | The First Wing The Day Of Rebirth |
October 19, 2005[5] ISBN 4592183517 |
May 1, 2008[9] ISBN 1-4215-1668-3 |
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| 02 | The Second Wing Fairy Thorn |
February 17, 2006[16] ISBN 4592183525 |
August 5, 2008[17] ISBN 1-4215-1669-1 |
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| 03 | The Third Wing Sluagh Sidhe |
July 19, 2006[6] ISBN 4592183533 |
November 4, 2008[10] ISBN 1-4215-1670-5 |
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In November 2008, the final Fairy Cube volume debuted at the 221st spot of the list of 300 best-selling graphic novels with an estimated 516 copies sold.[18]
Reviewers praised the quick pacing, and use of Celtic mythology, which is usually not seen in manga.[19][20] IGN's A. E. Sparrow liked the series' different view of the faires.[1] Critics also compared Fairy Cube to her other two works licensed in English. Lori Henderson of Comics Village liked how the series did not feature "long, strung out plots" or the "brooding" protagonist typical of her works.[20] Writing for School Library Journal, Cara von Wrangel Kinsey considered the story "more accessible than Yuki's previous works".[21] PopCultureShock's Katherine Dacey commented that Fairy Cube was as "gloriously overripe as the best volumes of Godchild, but considerably more coherent", and noted the artwork conveyed a "delirious, almost hysterical, quality to it that suits the manga's luridly romantic tone."[22] Jason Thompson, author of Manga: The Complete Guide, rated the series three stars out of four and thought the story was "a somewhat more tighter package with more original subject matter" than Angel Sanctuary.[4] Danielle Van Gorder of Mania Entertainment wrote that the conclusion of the series was less confusing than Angel Sanctuary's and thought the story was "well-executed".[23] Reviewers also commented on the English-language cover of the first volume of Fairy Cube. Anime News Network's Casey Brienza praised the color scheme and described it as "hands down the most beautiful of any yet to be published under Viz Media's Shojo Beat imprint",[19] but Gorder worried that the cover would mislead readers into believing that it was "a light and fluffy kind of story" and drive away the target audience.[24] A French reviewer also praised the covers of first and third volumes of the French edition, calling them "magnificant".[25]
Criticism of the series focused on Yuki's use of multiple subplots, introduction of new characters halfway through, and length of the series. Dacey felt that while the series "began promisingly enough" but "started to fly apart at the seams with the introduction of new characters and a new subplot in which fairies plan to take over the world by means of a beauty pageant."[26] One reviewer disliked how quickly the story happened, commenting that the protagonists' personalities were not fully explored as a result.[25] Larry Douresseaux of Coolstreak Cartoons criticized Yuki for using too many subplots and characters, causing the manga to become "somewhat hampered" and felt that the series should have been longer.[27] Inconsistent artwork within the manga was also noted.[19]